• “2020 was the year I collaborated with the wind. On every shoot, Northern California’s offshore breezes were my artistic partner, the force that transformed my installations from lifeless pieces of fabric to living things. By harnessing wind I hoped to visualize the invisible, and to open a window onto an aspect of nature’s vast, unseen complexity. As collaborations go it was a tumultuous one—of the twenty or so pieces I built and photographed last year, thirteen were failures—but along the way I developed a newfound closeness to the natural landscape and the rhythmic forces acting upon it. The most important lesson I learned about working with wind—and with nature as a whole—is that any attempt to contain or control it will fail. But if the work can connect with the wind, magical things will happen. Today I feel a renewed appreciation for the world right in front of me, and as a result this Spring feels sweeter than any I can remember.”—Thomas Jackson

  • "Looking back now, I see 2020 not only as a year of isolation and loss, but also of adaptation and rebirth. As painful as the COVID lockdowns were, they created a powerful incentive to simplify, and to dream up ways to do more with fewer resources. For me personally, 2020 was proof of the adage that creativity thrives under constraints. Unable to travel, for instance, I found new dimension in familiar landscapes close to home. And rather than skipping wastefully from one sculptural object to the next, I focused on the most versatile material I could find: nylon tulle. Depending on how it’s arranged and how the wind catches it, tulle can morph from a solid to a liquid, to fire, to fog to billowing smoke. And because it’s so durable, I was able to use the same pieces again and again." – Thomas Jackson

     

  • AVAILABLE TO PURCHASE

  • Thomas Jackson Tulle no. 12, Stinson Beach, California, 2020

    Thomas Jackson

    Tulle no. 12, Stinson Beach, California, 2020

  • Thomas Jackson Tulle no. 3, Point Reyes National Seashore, 2019

    Thomas Jackson

    Tulle no. 3, Point Reyes National Seashore, 2019

  • Thomas Jackson was born in Philadelphia, Pennsylvania and grew up in Providence, Rhode Island. After earning a B.A. in History...

    Thomas Jackson was born in Philadelphia, Pennsylvania and grew up in Providence, Rhode Island. After earning a B.A. in History from the College of Wooster, he spent much of his career in New York as an editor and book reviewer for magazines. It was his particular interest in photography books that led him to pick up a camera, first shooting Garry Winogrand-inspired street scenes, then landscapes, and finally the installation work he does today.  Thomas Jackson’s photography has been shown at The Center for Book Arts in New York, the Governors Island Art Fair, the Gallery at Eponymy in Brooklyn and Industria Superstudios in New York.  Thomas Jackson was named one of the Critical Mass Top 50 in 2012, and won the “installation/still-life” category of PDN’s The Curator award in 2013. He recently moved with his family back to the East Coast.

     

    Enjoy these three articles by Colossal, My Modern Met, and Treehugger, featuring Thomas Jackson's work.