Image © Arnold Newman
The 53 Berenice Abbott prints in this exhibition come from the collection of a woman named Jo Brown who was an artist and illustrator in New York City for many years. She met Abbott when she was working at the New York Public library in the 1930s. She purchased a number of prints from her Changing New York project at that time. The prints are vintage 8 x 10 inch contact prints with the Federal Arts Project, 'Changing New York' stamps, the Artist's stamp and other notations.
A female in a male dominated profession, Berenice Abbott, prevailed to become one of the most recognizable photographers of the 20th century. Her celebrated photographic study of New York City, called Changing New York documented modern life and its transformation. Early in her career she spent several years in Paris where she worked as a darkroom assistant to Man Ray. It was there she met and became inspired by the work of Eugene Atget. 1930, upon moving back home Abbott, was struck at how quickly the 18th and 19th century architecture of New York City was disappearing before her eyes. Calling her love of the city a "Fantastic Passion," she felt an extreme urgency to capture it in the moment.
After having her project proposal turned down multiple times including being denied twice for a Guggenheim, she persevered against great odds. In 1935 the Depression Era, New Deal, Federal Art Project, agreed to sponsor and fund her documentation of the city which later went on to become a book as well as a traveling exhibition. Choosing an 8 x 10 bulky view camera to record both the most minuscule details and the greatness of the city's structures, she created just over 300 images which she printed as contact prints. Ironically Berenice almost didn't live to make this incredible contribution to photography. In the winter 1919 she nearly died from the virulent influenza which took the lives of 12,000 New Yorkers. Her work is a visual reminder of the resiliency of humanity and the great city called New York.
Image © Man Ray Trust ARS-ADAGP
The Federal Art Project (FAP), a relatively small division of the Works Progress Administration (WPA), was a relief agency for artists; its controversial goal was to show that art, as well as schools and highways, contributed to the general welfare.
“It is important that [New York] should be photographed today, not tomorrow; for tomorrow may see many of these exciting and important mementos of 18th and 19th century New York swept away to make room for new colossi...the tempo of the metropolis is not of eternity or event time, but of a vanishing instant.”- Berenice Abbott
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