• In King's Road Mona Kuhn turns her camera on the life and personal home of architect Rudolph M. Schindler, whose cooperative dwelling at 835 Kings Road in West Hollywood was conceived as a design and social experiment and quickly became an avant-garde meeting place for artists and intellectuals like Marlene Dietrich, Albert Einstein, and Frank Lloyd Wright. Incorporating a variety of media - chromogenic dye coupler prints presenting the muted palate and delicate materials comprising Schindler's spare design, careful reproductions of primary sources from the architect's archive, and solarized silver prints of a timeless and spectral nude figure, Kuhn crafts a narrative that extends well beyond the historical record.

  • Kuhn was immediately transfixed by the Schindler House upon moving to Los Angeles in 2005. Beginning in 2016, she began...
    Kuhn was immediately transfixed by the Schindler House upon moving to Los Angeles in 2005. Beginning in 2016, she began work on the Kings Road project in earnest, combing through the architect’s archives in search of inspiration. It came in the form of a letter to an anonymous lover. Significantly for Kuhn, the correspondence is signed by Schindler, but not addressed to anyone — allowing the artist to craft a mysterious metanarrative about loss, love, and the ability of art to transcend time and space.
  • The exhibition is accompanied by vitrines containing ephemera from 1920’s Los Angeles. These are meant to set a tone, but...
    Portrait of Rudolph M. Schindler
    The exhibition is accompanied by vitrines containing ephemera from 1920’s Los Angeles. These are meant to set a tone, but Mona intends for the viewer project their own meaning and narrative onto the exhibition, rather than focus on the house’s actual, historical inhabitants. These “curiosity boxes” contain maps of early LA, photos of Albert Einstein (who, like Thomas Mann, was in the city at the time), a date book from 1921, letters from Edward Weston and Imogen Cunningham, early elevations of the house, etc., evoking the spirit of bohemian intellectualism that permeated Schindler’s milieu.
  • The house at 835 Kings Road was designed and built from 1921 to 1922 and conceived as a cooperative dwelling,... The house at 835 Kings Road was designed and built from 1921 to 1922 and conceived as a cooperative dwelling,...

    The house at 835 Kings Road was designed and built from 1921 to 1922 and conceived as a cooperative dwelling, with three L-shaped volumes in a pinwheel shape — one for Schindler and his wife Pauline Gibling, one for tenants Marian Da Camera (Pauline’s former classmate) and her husband Clyde Chance, and a third one for guests, the first two embracing gardens, and the three sharing a kitchen.

     
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    • Mona Kuhn, Inner Surface, 2021
      Mona Kuhn, Inner Surface, 2021
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    • Mona Kuhn, Entrance, 2021
      Mona Kuhn, Entrance, 2021
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    • Mona Kuhn, Blossom, 2022
      Mona Kuhn, Blossom, 2022
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    • Mona Kuhn, Corps Flotant, 2021
      Mona Kuhn, Corps Flotant, 2021
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    • Mona Kuhn, Intervals, 2021
      Mona Kuhn, Intervals, 2021
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    • Mona Kuhn, Scene, 2021
      Mona Kuhn, Scene, 2021
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    • Mona Kuhn, Plates, 2021
      Mona Kuhn, Plates, 2021
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    • Mona Kuhn, Fundamentals, 2021
      Mona Kuhn, Fundamentals, 2021
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    • Mona Kuhn, Ink Wash, 2021
      Mona Kuhn, Ink Wash, 2021
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    • Mona Kuhn, Dream, 2022
      Mona Kuhn, Dream, 2022
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    • Mona Kuhn, Viva, 2022
      Mona Kuhn, Viva, 2022
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    • Mona Kuhn, Atelier, 2022
      Mona Kuhn, Atelier, 2022
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    • Mona Kuhn, Pathway, 2021
      Mona Kuhn, Pathway, 2021
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  • In depicting Schindler’s symbolic thwarted love, Kuhn utilizes the solarized silver gelatin process, creating a sense of permeability between time and space and enabling Kuhn to ally her practice with historically notable ghosts who employed the technique, from André Breton and Erwin Blumenfeld to Lee Miller and Man Ray.

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    • Mona Kuhn, Brave, 2022
      Mona Kuhn, Brave, 2022
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    • Mona Kuhn, Lingering, 2022
      Mona Kuhn, Lingering, 2022
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    • Mona Kuhn, Veil, 2021
      Mona Kuhn, Veil, 2021
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    • Mona Kuhn, Sketch, 2021
      Mona Kuhn, Sketch, 2021
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    • Mona Kuhn, Realm, 2022
      Mona Kuhn, Realm, 2022
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    • Mona Kuhn, Gesture, 2022
      Mona Kuhn, Gesture, 2022
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    • Mona Kuhn, Emblem, 2022
      Mona Kuhn, Emblem, 2022
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    • Mona Kuhn, Serene, 2021
      Mona Kuhn, Serene, 2021
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    • Mona Kuhn, Surface, 2021
      Mona Kuhn, Surface, 2021
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    • Mona Kuhn, Spectral, 2022
      Mona Kuhn, Spectral, 2022
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    • Mona Kuhn, Delight, 2021
      Mona Kuhn, Delight, 2021
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  • While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany... While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany... While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany... While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany... While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany...

    While Kings Road has been shown at the AD&A Museum in Santa Barbara, and at the Kunsthaus Göttingen in Germany in an exhibition curated by Gerhard Steidl, this is the debut of the series in a gallery setting. A monograph, Kuhn's eighth, was published by Steidl in 2022.