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Meghann Riepenhoff & Richard Misrach, Duet
5 October - 22 December 2023

Meghann Riepenhoff & Richard Misrach, Duet

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  • Duet, an exhibition curated and conceived by Meghann Riepenhoff and her longtime
    mentor and friend, Richard Misrach, reflects the relationship between two artists meeting along the edge. Meghann Riepenhoff creates unique, dynamic, camera-less cyanotypes, employing one of the earliest photographic processes and working collaboratively with nature - in this instance, frozen water and sunlight. Her compositions are full of subtle details, each expressing a slightly different temperature, type of water, and crystalline structure. Richard Misrach, widely recognized for his large­scale, color interrogations of the landscape of the American West, here reckons with a persistent interest in the photographic negative. Duet encourages the viewer to reflect on our relationship to the natural environment. Or, in Misrach's words, "making the familiar unfamiliar to force us into a deeper awareness of our world and surroundings, as well as our own actions."
     

    "Edges are not uncommonly described as borders, and borders as places of separation, where one thing ends and another begins, but edges are liminal spaces, meeting grounds, places where exchanges of various kinds take place unless they are prevented ... "

     

    - Rebecca Solnit

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    • Richard Misrach Untitled #1026 (Psychedelic Jessica), 2007

      Richard Misrach
      Untitled #1026 (Psychedelic Jessica), 2007

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    • Richard Misrach Clouds and birds, May 31, 2018, 9:05pm, France, 2018

      Richard Misrach
      Clouds and birds, May 31, 2018, 9:05pm, France, 2018

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    • Richard Misrach Clouds and Birds, June 10 2018 1:15pm, France, 2018

      Richard Misrach
      Clouds and Birds, June 10 2018 1:15pm, France, 2018

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    • Meghann Riepenhoff Ice #407 (29-40.5℉, Puget Sound Banks, WA 03.01-02.23), 2023

      Meghann Riepenhoff
      Ice #407 (29-40.5℉, Puget Sound Banks, WA 03.01-02.23), 2023

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    • Richard Misrach Untitled #7480 (Lava), Hawaii, 2017

      Richard Misrach
      Untitled #7480 (Lava), Hawaii, 2017

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    • Meghann Riepenhoff Ice #437 (25-37.5℉, Ephemeral Stream, WA 02.25-27.23),, 2023 SOLD
      Meghann Riepenhoff
      Ice #437 (25-37.5℉, Ephemeral Stream, WA 02.25-27.23),, 2023
      SOLD
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    • Meghann Riepenhoff Ice #431 (25-36℉, Schel Chelb Beach, WA 02.26.23), 2023

      Meghann Riepenhoff
      Ice #431 (25-36℉, Schel Chelb Beach, WA 02.26.23), 2023

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    • Meghann Riepenhoff Ice #787 (30-34℉, Buried in Snow, Puget Sound, 12.18-19.22 WA), 2022

      Meghann Riepenhoff
      Ice #787 (30-34℉, Buried in Snow, Puget Sound, 12.18-19.22 WA), 2022

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    • Richard Misrach Untitled #99-551, 1999 / 2008, 2008

      Richard Misrach
      Untitled #99-551, 1999 / 2008, 2008

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    • Meghann Riepenhoff Ice #379 (8-42℉, Pool, GA 12.24-26.22), 2022

      Meghann Riepenhoff
      Ice #379 (8-42℉, Pool, GA 12.24-26.22), 2022

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    • Richard Misrach Untitled #645 (Body Surfer Reverse), 2007

      Richard Misrach
      Untitled #645 (Body Surfer Reverse), 2007

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    • Meghann Riepenhoff Ice #463 (22-42℉, Hair Ice and Ephemeral Stream, WA 02.24-27.23), 2022 SOLD

      Meghann Riepenhoff
      Ice #463 (22-42℉, Hair Ice and Ephemeral Stream, WA 02.24-27.23), 2022

      SOLD

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  • Richard Misrach's series Notations is inspired by Ansel Adams' comparison of a photographic negative to a musical score, in that...
    Richard Misrach's series Notations is inspired by Ansel Adams' comparison of a photographic negative to a musical score, in that it can be oriented, printed, interpreted in a number of ways and by avant-garde composer John Cage's 1969 book Notations. 
  • Listen to a collaborative playlist designed by Meghann Riepenhoff & Richard Misrach created specially for Duet.

    Listen to a collaborative playlist designed by Meghann Riepenhoff & Richard Misrach created specially for Duet. 

  • 'Negatives were bizarre, awesome, magical sheets of cellulose. I had...a negative print of a self-portrait I had made in the...

    "Negatives were bizarre, awesome, magical sheets of cellulose. I had...a negative print of a self-portrait I had made in the mirror of my Motel 6 room sometime in the 1980s — I pinned the 14 x 11 inch print to my studio wall for years. I always found it compelling, but that weird color cast got in the way. With the invention of digital, and the easy removal of the cast, the possibilities just took off."

    - Richard Misrach

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    • Richard Misrach IPS #5957 (Scrub #51), 2014

      Richard Misrach
      IPS #5957 (Scrub #51), 2014

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    • Richard Misrach IPS #7386 (Scrub #58), 2014

      Richard Misrach
      IPS #7386 (Scrub #58), 2014

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    • Richard Misrach IPS #6831 (Scrub #56), 2014

      Richard Misrach
      IPS #6831 (Scrub #56), 2014

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  • Richard Misrach, Untitled #729700FC (Tree in snow, Yosemite), 2009
    Artworks

    Richard Misrach

    Untitled #729700FC (Tree in snow, Yosemite), 2009
    60 x 80 inch archival pigment print
    Edition of 5
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    • Meghann Riepenhoff Ecotone #931 (Bainbridge Island, WA 11.3.20, Dawn to Dusk, Draped on Log, Intermittent Storms, Tears), 2020

      Meghann Riepenhoff
      Ecotone #931 (Bainbridge Island, WA 11.3.20, Dawn to Dusk, Draped on Log, Intermittent Storms, Tears), 2020

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    • Meghann Riepenhoff Ecotone #346 (Bainbridge Island, WA 03.11.18 + 03.17.18, Rain Falls in Every Direction), 2018

      Meghann Riepenhoff
      Ecotone #346 (Bainbridge Island, WA 03.11.18 + 03.17.18, Rain Falls in Every Direction), 2018

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  • An Atlanta native, Meghann Riepenhoffearned her BFA in Photography from the University of Georgia, Athens, and her MFA from the...

    An Atlanta native, Meghann Riepenhoffearned her BFA in Photography from the University of Georgia, Athens, and her MFA from the San Francisco Art Institute. In 2018, Jackson Fine Art mounted her first solo exhibition in the south. That exhibition, titled Imprint, drew from Littoral Drift, Ecotone, and Muybridge Tides and featured both an exhibition-spanning Chronograph (a dynamic photobook in which a page was turned for each day of the show, exposing a new image) and an evolving Tidal Chart occupying one full room of the gallery space.  For many of the works featured, Riepenhoff returned to Georgia to make photographs in landscapes where she spent the first half of her life — Georgia red clay stained prints made at the Chattahoochee River or in North Georgia lakes; rain drops from summer storms marked prints from Hilton Head Island’s shoreline.

  • Born in Los Angeles, California, Richard Misrach studied psychology at the University of California, Berkeley, before turning to photography as...

    Born in Los Angeles, California, Richard Misrach studied psychology at the University of California, Berkeley, before turning to photography as a way of documenting his involvement in the anti-war efforts of the late 1960’s. In the years since, his achievements in fine art have remained rooted in his concern for the most complex social questions of the time — the environmental impact of globalization, industrial development, nuclear testing and petrochemical pollution. His Desert Cantos have evolved to include chapters on the US-Mexico border (Border Cantos) and the political tensions surrounding the 2016 presidential election, captured in a series of photographs depicting found graffiti in the Southwest.

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    Meghann Riepenhoff: ICE, Richard Misrach: Notations (Larger version of this image opens in a popup).
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    Meghann Riepenhoff: ICE, Richard Misrach: Notations

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