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The South in Color: 20th Anniversary Portfolio

Current viewing_room
2 April - 13 June 2026
  • We are delighted to premiere the limited-edition portfolio, The South in Color published by The Gordon Parks Foundation in celebration of their 20th anniversary.  The ten images in the portfolio were selected by Dawoud Bey to highlight Parks’ attention to children, whose presence anchors many of the series’ most powerful images. Parks approached these young subjects with the empathy and sensitivity that define his career, empowering them and giving them a voice through his photographs. A printing of Bey’s essay The South in Color, originally published in the expanded edition of Gordon Parks: Segregation Story (2022), is included with the portfolio.
     
    The South in Color portfolio is printed in an edition of 25 with 5 Artist’s Proofs.
  • About Gordon Parks

    About Gordon Parks

    In a career that spanned more than fifty years, photographer, filmmaker, musician, and author Gordon Parks (American, 1912–2006) created a groundbreaking body of work that made him one of the most influential artists of the twentieth century. Beginning in the 1940s, he documented American life and culture with a focus on social justice, race relations, the civil rights movement, and the African American experience. Born into poverty and segregation in Fort Scott, Kansas, Parks was drawn to photography as a young man. Despite his lack of professional training, he won a Julius Rosenwald Fellowship in 1942; this led to a position with the photography section of the Farm Security Administration (FSA) in Washington, D.C., and, later, the Office of War Information (OWI). By the mid-1940s, he was working as a freelance photographer for publications such as Vogue, Glamour, and Ebony. Parks was hired in 1948 as a staff photographer for Life magazine, where more than two decades he created some of his most notable work. In 1969 he became the first African American to write and direct a major feature film, The Learning Tree, based on his semiautobiographical novel. His next directorial endeavor, Shaft (1971) helped define a genre then referred to as Blaxploitation films. Parks continued photographing, publishing, and composing until his death in 2006.
  • About the Curator

    About the Curator

    Groundbreaking artist and MacArthur Fellow Dawoud Bey (b.1953, New York) examines the Black past and present. His photographs and film installations have been exhibited in museums and galleries throughout the United States and Europe. Bey’s work has been the subject of numerous solo museum exhibitions, including Dawoud Bey: An American Project organized by the San Francisco Museum of Modern Art and the Whitney Museum of American Art (2020-2022), and Elegy at the Virginia Museum of Fine Arts (2023-2024) and New Orleans Museum of Art (2025-2026); and Dawoud Bey: Street Portraits at the Denver Art Museum (2024-2025).

     

    He has been the subject of several monographs, including Elegy (Aperture/VMFA, 2023), which chronicles Bey's history projects and landscape-based work. Bey is the recipient of numerous awards including five honorary doctorates, and in 2024, the artist was inducted into the American Academy of Arts and Sciences. He is currently a Critic at Yale University, where he received his Master’s in Fine Arts, and is Professor Emeritus at Columbia College, Chicago. Bey lives and works in Chicago and New York.

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  • Gordon Parks, The South in Color Portfolio (37.160), 2026
    Artworks

    Gordon Parks

    The South in Color Portfolio (37.160), 2026
    10 archival pigment prints
    Image: 12 x 12 inches each
    Paper: 16 x 16 inches each
    Edition 2 of 25
    Inquire
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    • Gordon Parks, Untitled, Mobile, Alabama (37.039) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Mobile, Alabama (37.039) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.048) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.048) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Mobile, Alabama (37.154) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Mobile, Alabama (37.154) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Alabama (37.066), 1956 from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Alabama (37.066), 1956 from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.034) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.034) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.045) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.045) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Alabama (37.038) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Alabama (37.038) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.036) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.036) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.028) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.028) from The South in Color Portfolio (37.160), 1956
    • Gordon Parks, Untitled, Shady Grove, Alabama (37.072) from The South in Color Portfolio (37.160), 1956
      Gordon Parks, Untitled, Shady Grove, Alabama (37.072) from The South in Color Portfolio (37.160), 1956
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